"Meifeng had not been in touch with her extended family since she had ran off with Leo. Ming was the only one she had had any contact with these past few years. Through his correspondence, she was able to learn that what was left of the Chens still lived at that house. They retained the garden and built their homestead on the property."
Is this what it's like to know when some ideas doesn't work out. I've had it in my mind to continue the story at the train station. I even had a scene in the cab or rickshaw, involving a folded up fifty yuan note. But it wasn't a good enough hook for the next installment. So I went back to laying out the character relationships.
I've learned this much. I don't want to add any more characters into the mix. The core of the story surrounds the interchange between just three people. How their lives were affected by their past actions. The passage I just written (above), will be a nice segue into a flashback sequence that will introduce the rest of the main characters.
The story is taking shape more or less in the notes I scribbled on paper, however technically, I still don't know who these characters are. Hopefully, it will come as I keep plotting. It was why I held off from writing for so long. Meanwhile, I made another drawing to serve as a cover. I can't draw like my artist colleagues, but I did learn from a tutorial on how to create silhouettes in Photoshop. At least, it resembles the sketch I made earlier. If I squint at it, it kind of looks like a Chinese brush painting.